Firstly we are mixing theatre with visual art. We wanted to create a sculptural addition to the landscape that could sit somewhere for a number of days. Reflecting themes of climate change, global inequality and the refugee crisis has resulted in us wanting to create something that was longer than 20 minutes, that was landscape changing and that could not be neatly packed away. This has given us a large piece of set design that bursts through the festival landscape and stands 7m tall. Something at that scale needs a lot of planning to make sure it stays up!
Secondly we are working with a large cast and a durational style of performance which means we have had to limit our rehearsal time. In many ways you would think that performing for 7 hours straight and with a cast of 9 you would need many weeks rehearsal space (we wish) however getting everyone in a large enough rehearsal space for set and creative team is expensive. Added to this is the fact that if you want to make 9 original costumes to rehearse in (important for physical work) you need to make them before all the performers are in the final rehearsal.
So decisions start early. In some ways it is massively daunting to have everything pre-planned and slightly unwieldy. The first time we saw everything together (Set, costumes, music, performance) a lot of decisions had already been made and were set. However it some ways its also really reassuring and exciting to have so many tools at our disposal and ready to put into action – not just imagine!
Nathan Curry – Co-Artistic Director of Emerge/ncy